Search: Starring Jennifer Connelly

Ideas of fascism, loss of the soul and post-apocalyptic existence, all ripe for exploration, are given a body swerve in favour of muddled new-age nonsense.

With its CGI clever-dickery the kick boxing is controlled and packed. T

There's no shying away from the fact that the New Age, twig-built mumbo-jumbo peddled here is no match from the otherworldly ancient belief systems of Peru that flow through Llosa's earlier works.

McGregor's character paradoxically gets too much and not enough. Swede feels clogged with sentiment for his daughter, with little room for other emotions.

Englert’s script is an actor’s dream. Connelly, who has matured magnificently in recent years and now ranks among the best in her generation, gives it all she’s got.

Russell Crowe carries the can and he does so with honour and the can becomes a trophy, richly deserved.

There is a healthy streak of cynicism running through Blood Diamond.

This is a film which seeks to convey emotional truth rather than historical accuracy.

For those who have seen the originals, stay away.

Save the planet, buy Citizen Quartz watches and eat at McDonalds!

What [director Proyas] does here is juggle genres and lop the dead cells from the brains of old cliches.

A stylish and engrossing mystery - an immature, yet energetic explosion of storytelling ideas.

There are a couple of good laughs but they certainly don't carry two hours of film.

The first thing to say about the film is that it looks stunning. The second thing is that it takes forever before transformation time.

The performances are exquisite.

Brimming with superb performances.

There are many scenes delightful to young children which older viewers will find shallow and gimmicky, whilst the younger ones will be left puzzled and bored by the strange romance between Sarah and her enemy.

It would be difficult to exaggerate the piffling absurdity of this film

Noah 2014 seems terrified of anything not spelled out.

Half way through you ask yourself, why am I watching this film?

This rarely seen Argento gem has it all. We're on ground he's covered before, but it's constantly shifting beneath us.

As a directorial debut, the film is patchy, but intense.

What Aronofsky has done with Selby's script is remarkable. With the use of split screen, hip-hop montage and every trick in the cinematographer's bag, he has forged a work of considerable significance.

Reservation Road is really only ever going from A to B and, despite the offer of some intriguing ideas, never moves far from its initial premise.

Cruise, doing many of his own stunts, owns the territory with stellar charisma.

Jennifer Connelly has never been more subtle and astute.